Monday, February 15, 2010
Friday, July 31, 2009
Are you ready for Waylon?
Do you know how much I love Waylon Jennings? In every genre of music there is a defining group of musicians who invent a style, a beat, a rhythm, a groove. In reggae you have the Sly and Robbie school, and you've got the Carlton and Aston Barrett combo. In Krautrock there's the Klaus Dinger beat and the Neu! shuffle, or you have the Germanic Africanisms of Jaki Liebezeit and Holger Czukay. Each band has their own particular rhythmic subtleties and when you get really into the specifics of each genre, you fall in love with how different crews can put their signature on any tune, cover or not. And the more you get into it, the more you realize that nobody can do it better than the way these guys do it. Because they invented it.
Waylon Jennings is no exception to this rule. I fell in love with the peculiar rhythms and grooves of Waylon's band even before I heard the most appropriate name ever for it: "The Honky Stomp," as coined by drummer extraordinaire John Hofer, who can muster up just about the best imitation of the "Stomp" I have heard.
So what are the ingredients of "The Honky Stomp"? The feel is so unabashedly straight that it is somehow the funkiest thing you've heard. At the foundation of the whole thing is the simplest stripped down kick and snare drum dumbshit beat, Richie Albright is hitting the kick drum on all four. And the drums are always loud in the mix with a ticking hi-hat on the offbeats. Locked in there along with them is a bouncing fifths bass groove that never steps off the chord root, not even for a second. Two notes is all you need- you'd be a pussy to play three. The glue that binds it all together is the ever present phased out sticky icky guitar played by the man himself. I wouldn't be surprised if Waylon had a phaser permanently installed in his guitar because he never turns it off. It is the perfect final ingredient to fuel that mid seventies quaalude and whiskey haze. Riding high on top of it all is a far off strummed cowboy chord acoustic guitar and of course Ralph Mooney's insanely brilliant pedal steel, also usually phased out.
If you haven't heard Waylon's prime era Honky Stomp records, you really should to check them out. Just pull them right out of the dollar bin and take a listen. I'm talking about "Lonesome On'ry and Mean", "Honky Tonk Heroes", "This Time", "Ramblin' Man" and my personal all time favorite, "Dreaming My Dreams", produced by Jack Clement.
On offer here is a new gem I found recently, "Are you Ready for the Country" from 1976, toward the end of the prime Honky Stomp era. But he has still got it here. Waylon's Neil Young cover is straightened out so much it sounds like a Kraftwerk record for a second, but then you add in the wah-wah clavinet and it gets all Burning Spear somehow too. Rad. The other favorite on this is Waylon's self depreciating "So Good Woman". Its the laziest groove ever with far out My Bloody Valentine synth middle sections and a rambling Wurlitzer to boot. Amazing.

Waylon Jennings is no exception to this rule. I fell in love with the peculiar rhythms and grooves of Waylon's band even before I heard the most appropriate name ever for it: "The Honky Stomp," as coined by drummer extraordinaire John Hofer, who can muster up just about the best imitation of the "Stomp" I have heard.
So what are the ingredients of "The Honky Stomp"? The feel is so unabashedly straight that it is somehow the funkiest thing you've heard. At the foundation of the whole thing is the simplest stripped down kick and snare drum dumbshit beat, Richie Albright is hitting the kick drum on all four. And the drums are always loud in the mix with a ticking hi-hat on the offbeats. Locked in there along with them is a bouncing fifths bass groove that never steps off the chord root, not even for a second. Two notes is all you need- you'd be a pussy to play three. The glue that binds it all together is the ever present phased out sticky icky guitar played by the man himself. I wouldn't be surprised if Waylon had a phaser permanently installed in his guitar because he never turns it off. It is the perfect final ingredient to fuel that mid seventies quaalude and whiskey haze. Riding high on top of it all is a far off strummed cowboy chord acoustic guitar and of course Ralph Mooney's insanely brilliant pedal steel, also usually phased out.
If you haven't heard Waylon's prime era Honky Stomp records, you really should to check them out. Just pull them right out of the dollar bin and take a listen. I'm talking about "Lonesome On'ry and Mean", "Honky Tonk Heroes", "This Time", "Ramblin' Man" and my personal all time favorite, "Dreaming My Dreams", produced by Jack Clement.
On offer here is a new gem I found recently, "Are you Ready for the Country" from 1976, toward the end of the prime Honky Stomp era. But he has still got it here. Waylon's Neil Young cover is straightened out so much it sounds like a Kraftwerk record for a second, but then you add in the wah-wah clavinet and it gets all Burning Spear somehow too. Rad. The other favorite on this is Waylon's self depreciating "So Good Woman". Its the laziest groove ever with far out My Bloody Valentine synth middle sections and a rambling Wurlitzer to boot. Amazing.

Labels: bellbottoms, honky stomp, music
Monday, July 27, 2009
Sunday, July 19, 2009
Thursday, June 25, 2009
Tres Hambres

Occasionally, when yo tengo hambre, I find myself thinking of this triumphant gatefold, courtesy of the "Top". You have to be careful about separating your stems and seeds in this one. You might end up with a severe case of los munchies.
Labels: Enchies, melting pots, music, Tejas, the "Top"
Wednesday, June 10, 2009
bits

A couple of things, dearest liebchens. The spring mix link got a little screwy in case you cared now that its almost summer (minus all the rain), the real link is : THIS ONE
Also, In case you weren't privvy to all the new shit, the new Hiss Golden Messenger Record, Country Hai East Cotton has been launched into the stratosphere, along with the new record label Heaven & Earth Magic Recording Company. More info is available here.
Finally, why a young Michael Caine? Just because he rules. Have you sen The Magus? trippy shit man.
Labels: bellbottoms, kind buds, melting pots, mixtapes, music
Monday, June 1, 2009
Tuesday, February 10, 2009
Thursday, December 4, 2008
Sunday, September 14, 2008
echo magic I (a composition)
One of my current classes is about computer music composition. In the class we are encouraged to think about what roles computers can play in the making of music.
I developed a simple computer program using Max/Msp that takes eleven sound samples and repetively sequences them in random order. During playback, the sounds are delayed (this is where the echo magic happens) for different time periods and durations.
The idea is heavily inspired by Eno's 1975 masterpiece "Discrete Music", where he uses "self-regulating and self-generating systems" so that the composer can "tend towards the roles of planner and programmer, and then beome the audience to the results."
For my first composition using this method I sampled myself playing lap steel as the source material. The results are very beautiful. Take a listen:
echo_magic_I.mp3
I developed a simple computer program using Max/Msp that takes eleven sound samples and repetively sequences them in random order. During playback, the sounds are delayed (this is where the echo magic happens) for different time periods and durations.
The idea is heavily inspired by Eno's 1975 masterpiece "Discrete Music", where he uses "self-regulating and self-generating systems" so that the composer can "tend towards the roles of planner and programmer, and then beome the audience to the results."
For my first composition using this method I sampled myself playing lap steel as the source material. The results are very beautiful. Take a listen:
echo_magic_I.mp3










